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When we think of the standard instrumentation we hear in bands and orchestras, we tend to stick to what we’re used to. I’m here to tell you times are a’changing, and whether you trade your viola for an electric violin or your guitar for a modular synthesizer, the world of opportunities can have a profound impact on your music, even when you return to your original instrument.
There are few things more depressing in music than seeing a great band go stale. Some bands release albums with the same old structure and sound over and over again. Often they deteriorate in quality, but more to the point, they never evolve, and most of us need some sort of evolution to keep us interested.
When George Harrison swapped Guitar for Sitar, or when Dylan swapped his Acoustic for an Electric, the possibilities suddenly changed, not just for our ears but for the musicians and their brains.
When we learn to play an instrument we learn things habits. Certain chords we go back to, ways we construct melodies, strumming and plucking and bowing techniques. After many years of this, it can be easy to find ourselves repeating the same old things, especially if once upon a time they worked for us.
For a guitarist to suddenly pick up a Ukulele for instance, we suddenly go back to being beginners, and the intrinsic character of the instrument shines out. A Ukulele makes it easy to play lots of seventh chords for instance, a Sitar uses different tonality and scales, and every instrument will both increase your understanding and alter the way you do things all at once. The extending of your comfort zone can change everything.
Bowie was the king of reinventing himself, both in sound and style. Neil Young switched his acoustic guitar for synths to make a techno album. Even if people go back to their original instrument, the broadened horizons keep the spark alive for musicians who want to test themselves. At the extreme end of the spectrum, bands such as King Gizzard and the Lizard Wizard experiment with microtones to experiment and ultimately carve their niche out in the world.
The experimentation you partake in as a musician doesn’t have to change your style. If you’re known for being a guitarist, this doesn’t have to change, but do yourself the favor of trying to play another instrument and see how it broadens your horizons.
December 14, 2017
Boston, MA
GET YOUR MUSIC LICENSED is an online training program that teaches students how to prepare and license their music for film, TV, games and online placements. The 6 month program shows musicians where to pitch their music and how to pitch it to ensure they get noticed.
With a combination of training videos and smart checklists and workbooks, the program shows students how to identify and target music publishers, music supervisors and music libraries for placement.
The training program teaches musicians how to make more money in ONE DEAL than in ONE YEAR on Spotify with over 100 vetted leads and opportunities that are tried, tested and proven to work.
The program teaches:
How to find quality licensing opportunities with libraries that fit your genre
How to setup your tracks so they appear at the top of the search results
How to double your musical output and build your catalogue
How to identify your ideal customer and start building a relationship
How to build a professional presence
How to keep your momentum and move on when you fail
How to place your songs on TV, films, games, digital media and more
Checklists, tips & tricks and inspiration to stay motivated and on track
Catalog Tracker to manage your catalog and music submissions
“Get Your Music Licensed” was acquired by Dave Kusek’s New Artist Model from author Joyce Kettering in November.
“By bringing this new course into our online school, we have added more licensing expertise and curriculum to the New Artist Model catalog”, says Dave Kusek - founder New Artist Model. “Joyce is an amazing teacher and we are already seeing her students get placements for their music in a few short weeks”.
According to Joyce Kettering, Get Your Music Licensed author and teacher, “This deal is great for me because I get to work with an amazing mentor and experienced music educator, and can now tap into Dave’s audience of independent musicians and songwriters.”
Here is what some of the students have to say about Get Your Music Licensed:
“The program is AWESOME! I’ve taken other licensing courses and that there is no comparison. This gives you all the tools you need to get organized and submit your music and increase the odds of licensing. And Joyce Kettering is there for you throughout the program. She really cares, vets her leads and knows what she’s talking about. The community alone is worth the price of admission. Songwriting and licensing can be very solitary pursuits, so it’s great to have someone like Joyce in your corner.” - Sharon Coates
“What initially attracted me to this course is that it’s taught by a person who has already slogged thru, already made the mistakes, already done the research and is actually earning revenue from sync licensing. If you want a detailed roadmap for starting and building up a sync licensing business around your music, look no further. The time you’ll save in research alone is worth more than what the course costs.” - Robert Palomo
Potential students can sign up for the program here:
For more information contact Chelsea Ira - New Artist Model chelsea@newartistmodel.com
New Artist Model is an online learning platform that teaches practical strategies and techniques for making a living in the modern music business. It combines self-paced online courses and step by step guidance to teach musicians about the industry and how to plan their career.
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The Most Established Film Music Competition in the world
with the most Unique Challenges is Launched & Online once again!
The initial concept of calling all emerging film composers to showcase their talent in the art of film scoring, by devising the most compelling assignments that challenge the current mainstream film music trends, has become a groundbreaking platform for discovering and mentoring those composers that prove that they have both the immense musical talent and the amazing potential to succeed in the modern entertainment industry.
A version of this article originally appeared on Flypaper.
The Soundfly team is really excited to announce the arrival of our most ambitious course to date: Faders Up: Modern Mix Techniques. This course features interviews with nine of the top sound engineers working today, teaching the ins and outs of creating top-quality DIY mixes of your music — engineers who’ve worked with the likes of Beyoncé, D’Angelo, Solange, Sia, Mark Ronson, the New York Philharmonic, the Dirty Projectors, and tons more!
If you’ve ever wondered how to add that extra pro-level sheen to your sound, this course is for you. We cover all the fundamentals of mixing, from referencing and levels to automation and compression, with insights from the pros about how they use each tool in their work. And with weekly feedback on your mixes from one of our expert Soundfly Mentors, you’re guaranteed to actually get the support you need to meet your goals.
By the end, you’ll be able to publish your music with more confidence than ever before, knowing that it’s sounding the way you want it to.
The next session starts on January 9, so sign up now for a free preview and take 20% off (that’s $100!) with the promo code FLYPAPERSENTME.
Throughout the course, we’ll hear from a crew of incredibly talented industry professionals working in pretty much every genre.
Brian Losch
Brian is a Grammy-winning recording engineer living in Brooklyn, NY. Production credits include artists such as Yo-Yo Ma, Chris Thile, Jason Moran, and many others. Additionally, he performs recording and post-production work for film and television. He has worked on releases for the American Boychoir and ESPN Films, Discovery Channel, broadcasts for the Metropolitan Opera HD, San Francisco Ballet, and the New York Philharmonic. Check out his site for more: www.brianlosch.com.
Joe Lambert
Joe is a Grammy-nominated mastering engineer whose client list includes Moby, Animal Collective, Deerhunter, City and Colour, Thievery Corporation, the Dirty Projectors and many more. After becoming the go-to mastering engineer for indie artists in Brooklyn and beyond, he re-located across the river to Jersey City and is working with a more diverse roster of clients than ever. Lambert previously worked his way up at iconic establishments like Classic Sound and Trutone Mastering in New York City, learning the very relevant art of vinyl cutting in addition to solidifying himself as one of the top mastering engineers in the game. Check out more at joelambertmastering.com.
Ebonie Smith
Ebonie Smith is an award-winning music producer, audio engineer, and singer-songwriter based in New York City. A Forbes magazine “30 Under 30” nominee, Ebonie is also the founder and president of Gender Amplified, Inc., a nonprofit organization that celebrates and supports women and girls in music production. Ebonie holds a master’s degree in music technology from New York University and an undergraduate degree from Barnard College, Columbia University. She currently works as an audio engineer and producer for Atlantic Records.
Andrew Sarlo
Originally from New York, Andrew is a mix engineer and producer now residing in Los Angeles. Since graduating from Berklee College of Music in the summer of 2011, he has worked with Producer Emile Haynie from 2013–2015 and has recorded with Mark Ronson, Lana Del Rey, Sia, Jeff Bhasker, and more. His most recent production work features Nick Hakim’s Green Twins LP, Big Thief’s Capacity LP, and Show Me The Body’s CORPUS I.
Aaron Nevezie
Aaron Nevezie is a producer and engineer based at the Bunker Studio in Brooklyn, NYC. He has worked with Danger Mouse, Black Thought (The Roots), Questlove, tUnE-yArDs, Brad Meldhau, Vijay Iyer, Black Taxi, Ambulance LTD, Charlie Hunter, Dave Eggar, Jojo Mayer & Nerve, Now Vs Now, Wayne Krantz, Ben Allison, Steve Cardenas, Brian Blade, the City and Horses, and many more. Currently a member of Nerve, Aaron has toured throughout Asia, Europe, and the USA running interactive front-of-house. He is currently in the process of writing and producing albums for new indie artists Ryal and Chris Lind. You can check out the rest of his work here.
John Davis
Bunker co-owner John Davis has been active in the NYC independent music scene as a musician, producer, and engineer since 1999. John is perhaps best known for his work with Jojo Mayer in their live EDM band Nerve, and their pioneering work fusing acoustic and electronic sounds through reverse engineering. Not restricted to electronic music in his output or engineering capacities, John is extremely adept at recording and mixing almost any style of music. At the Bunker, John has recorded artists as diverse as Tom Harrell, Esperanza Spalding, Chad Smith, Stranger, Salt Cathedral, Tony Trischka, Chris Eldridge (Punch Brothers), Mehliana (Brad Mehldau and Mark Guiliana), Netherlands, Wes Hutchinson, and many more ranging from jazz to classical to rock and EDM.
Tim Leitner
From the beginning of his career in the glory days of 2″ tape and big consoles at the famed Hit Factory Studios, Tim had the opportunity to work with artists he’d grown up listening to and legendary producers and mixers he’d always admired. As Tim gained exposure to artists in lots of different genres, he came to realize that it was the way that music made him feel, rather than the purity of its sound, that was important to convey for himself and for listeners. Whether it’s a pop, jazz, or a metal track, as long as it conveys its emotion, Tim’s mission has always been to uncover the heart of every song to help artists discover ways of sharing their vision while maintaining accessibility.
David Amlen
David started as a freelance musician before founding his first studio, Sound On Sound Recording. SOS grew into one of the top recording facilities in New York within 10 years, catering to rock, jazz, pop, and hip-hop artists including David Bowie, Roger Daltrey, Branford Marsalis, Dave Grusin, Mariah Carey, Beyoncé, Puff Daddy, and Jay-Z. Between the studio and David, as both engineer and producer, the facility garnered more than 65 gold- and platinum-album awards resulting in sales of over 75 million units worldwide. SOS merged with competitor Right Track Recording (home to many stars including Elton John, Billy Joel, James Taylor, Carly Simon, Whitney Houston, and producer Phil Ramone) in 2005 to create Legacy Studios.
Jake Aron
Jake Aron is a New York-based producer, mixer, and engineer known for his interesting use of space, delay, and saturation. He has worked with artists such as Grizzly Bear, Chairlift, Jamie Lidell, and Solange, among many others.
Hosted by Nyle Emerson
Self-billed as a “multi-media-tasker,” Nyle is Soundfly’s Creative Producer and specializes in photo, video, audio production, and web branding. As a musician, he’s had the pleasure of performing with major acts such as J. Cole, Black Thought, Patti Labelle, and more, has been featured on several television shows including MTV’s It’s On with Alexa Chung, and studied production at NYU’s Clive Davis. His first music video has been viewed over a million times online. As a videographer he’s toured the world with brands like Eater, Vice, and The New York Times.
What are you waiting for? Check out a free preview of the course, and be sure to enroll before January 9 to get a spot in the next session. Remember to use code FLYPAPERSENTME for 20% off!
Not unlike everything else around us, the world of piano has been shifting away from analog to digital. The ease and convenience of digital pianos has shifted the market from the expensive, heavy, loud acoustic piano, to the lightweight, inexpensive, volume controlled digital piano.
Running a music venue is one of the most exciting jobs that you can do. You’ll get to meet lots of musicians and take a central role in your city’s art scene. Here’s how you can succeed at managing your venue.
What kind of music are you going to book? You need to decide if you want to focus on a specific genre or book an eclectic mix of bands. At the very least, you should make sure that each night’s show has bands that fit well together. The size of the venue and the style of the local music scene will generally dictate what kind of music you book. Look online to figure out what bands are popular in your area and try to book those acts.
There are a lot of expenses associated with running a venue. You need to pay the bands and the staff. There is inventory to keep stocked, such as the bar and food. On top of all that, there are several forms of insurance to pay for. No matter how much the expenses stack up, you need to be aware of your ticket price. Keep tickets cheap enough that you don’t overprice your own market. Look at other venues to see what they charge. You need to sell a lot of tickets to keep your venue afloat.
You should operate your bar by the letter of the law. You don’t want any of your attendees to get pulled over and receiving a DWI for driving drunk. Professionals, like those at The Law Offices of Schiro and Zarzynski, know that if this happens, they will need to secure the services of an attorney to represent them in court. Do your best to stop intoxicated people from getting behind the wheel of an automobile.
Music venues exist for one main reason, and that’s sound. Compete on sound quality with other venues in the area. People will come to your location again and again if it sounds fantastic. This is one of the best ways to develop a steady audience for your shows.
It takes experience to become great at running a venue. You can use the tactics from this article to get a jump start on growing your audience. If you can build up some interest about the local music scene, you’ll be able to make a lot of money with your venue.
This post was written by Lisa Occhino and originally appeared on the Bandzoogle Blog
You’ve probably tried boosting your posts on Facebook, and maybe you’ve even run a few ads on Instagram. But have you ever considered how powerful Google’s search network can be for advertising your music?
Optimizing your online presence for Google is super important, and there’s a lot you can do to increase organic search traffic to your band website. But in this article, we’re going to explore how to advertise your music using Google AdWords.
Although big companies pour thousands of dollars per month (and sometimes even per day) into AdWords campaigns, the great thing about the platform is that you can completely customize it for your own needs and budget, no matter how big or small.
Even if you invest just a few dollars a day, you can see how many people are shown your ads, how many people click through to your website, and which ads and keywords are outperforming the rest.
For example, let’s say you’re a local band looking to get booked for wedding or corporate gigs in your area. If you run an AdWords campaign with the right geo-targeting and keywords, you can essentially guarantee that you’re reaching people who are actively looking to book bands like yours. And the more relevant your ads are to your target audience, the less you actually end up paying per click.
First, ask yourself: What am I looking to get out of an AdWords campaign? Whether it’s selling tickets for a show, booking local gigs, or driving more traffic to your website to get email list signups, it helps enormously to have a specific goal in mind right from the start.
You’ll find that there are many different elements to experiment with as you go through the process of setting up a campaign, so don’t get frustrated if you don’t hit your goal the first time around. Sometimes, a small change can make a big difference in how effective your ads are.
AdWords uses a cost-per-click (CPC) model, which means that you only get charged when someone actually clicks on your ad, no matter how many times it’s shown. You can set whatever daily budget you’re comfortable with, and you can rest assured that you’ll never spend more than that amount per day.
Your CPC is largely determined by how many other advertisers are bidding on the same keywords that you’ve selected. While keyword competition and maximum bids are both important factors, AdWords also takes quality and relevance into consideration — which means that better ads are rewarded with lower costs and better placement.
The keywords you select play a crucial role in the success of your ads, so it’s important to set aside some time for research before you dive into creating a campaign.
Put yourself in the shoes of your potential fans. What would you Google?
Google’s free Keyword Planner should be your first stop. You can use it to find out how often keywords are searched, how competitive they are, and even discover new keywords that could be effective for you. You can supplement your research with other free tools like Google Trends and Wordtracker.
As you research, start building a master list containing your most important keywords. You’ll need it to create your ads, so keep it handy!
We highly recommend that you read through our in-depth guide to keyword research (which also includes advice on what to do if search volume for your band is low), because the keywords you choose to target will make or break your campaign.
In this section, we’ll walk you through how to set up a simple Search Network ad.
There are other types of campaigns you can set up through AdWords, such as Display Network ads and YouTube video ads, but we suggest that you get comfortable with Search Network ads first, and then explore the other options later if you’d like.
Note: We’re using the new AdWords experience for this tutorial. Here’s how to switch if you have an existing AdWords account with the old experience.
1. If you don’t already have a Google AdWords account, head over to the AdWords homepage and click the “start now” button to sign up for free.
2. Once you’re logged in, click “campaigns,” then click the plus sign to create a new campaign.
3. You should now be on the “campaign type” screen. Click “search network,” then select your campaign goal.
4. After clicking “continue,” you’ll see the page where you enter all of your campaign settings.
To keep things simple for your first campaign, we recommend selecting “no” for “add display network” and keeping most of the default settings. Certainly feel free to specify different locations or languages based on where you are and the audience you’re targeting.
5. Enter your daily budget and your campaign start and end dates, and then click “save and continue.”
6. You should now be on the screen where you set up your ad groups. Using the master keyword list you built earlier, create two or three ad groups with sets of related keywords in each so that you can see what kind of searches are best for reaching your target audience.
Try not to go overboard with this — for now, stick with just a handful of relevant keywords for each ad group. You can always add more later if you’d like.
Important: Read up on keyword matching options (i.e., controlling the kind of searches that trigger your ads), because poorly matched keywords are one of the biggest money-wasting mistakes that beginners make with AdWords. If you have some flexibility with your spending, a broad-to-narrow strategy is the way to go. But if you’re on a really tight budget, your best bet is to start with narrower targeting and less traffic while you get the hang of AdWords, and then expand from there.
7. After you hit “save and continue” on your ad groups, you’ve reached the final step of the process: creating your ads. This is where you enter the headline, URL (which should be a landing page that’s highly relevant to the search), and description for your ad.
Google recommends creating at least three ads per ad group to see what messaging works for your potential fans. Here’s a complete list of best practices for search ads.
Pro tip: You’ll see a better click-through rate if you use keywords from your ad group in the ad headline itself.
8. Once you’ve finalized your ads and entered your billing information, you’re done with your campaign setup!
At this point, it’s a good idea to go back through the campaign and review everything you’ve entered to make sure it’s exactly what you want. You can make edits to your budget, ad groups, keywords, and ads by using the menu on the left side of the screen.
It might take a little time for for your ads to be reviewed, but once they’re approved, they’ll automatically run between the start and end dates you specified for your campaign.
As with all forms of digital advertising, running a successful AdWords campaign requires consistent testing, tracking, and tweaking to get the most bang for your buck.
Be patient for the first few days and allow the data to accumulate. In about a week, you should start to have an idea of which ads and keywords are performing better than others. Keep a close eye on them, and pause any ads or ad groups that are clearly not performing well at all.
If you’re seeing promising results after a couple of weeks, consider increasing your daily budget. If not, don’t panic — just continue testing different combinations of keywords and ad copy until you find your sweet spot.
It’s a good idea to log into AdWords at least once a week to see how your campaigns are doing, and make any tweaks if necessary. You can avoid wasting a lot of money if you regularly review the search terms that led to clicks on your ad and carefully build a negative keyword list.
If you’d like to gain a deeper understanding of the platform and start experimenting with other types of ads besides search ads, the AdWords Help Center is a great resource.
Lisa Occhino is the founder of SongwriterLink and the Director of Marketing & Communications at Soundfly. She’s also a pianist, award-winning songwriter, and graduate of Berklee College of Music.
We all believe that music is an essential factor in our lives. It adds immense pleasure and de-stresses the mind from the daily chaos. Music helps to connect us through a lifetime of experiences. Being a universal language, it unites the people all over the world. Also, science has proven that learning music from an early age, will enhance the kids’ ability to learn other things and grow steadily.
The Proven Formula For Achieving Music Business Success
By Tom Hess
You are likely to struggle in your music career when you don’t follow a proven formula for success. Musicians who reach their goals faster than everyone else follow one formula in particular.
The formula successful musicians follow to achieve the highest levels of success is this:
V*P-R = potential for success.
V = value
P = proof of that value
R = risk
You want to maximize your value and ability to prove it. You also want to minimize the risk you carry to any company/band opportunity. Here are just a few ways to do it:
Learning How The Music Business Works From An Expert
A massively successful music career is not built entirely on your own. Working together with a mentor helps you understand how the music business really works. This is the easiest way to learn how to add value and reduce risk when working with others. A mentor also helps you understand the correct strategies to use for achieving your music career goals faster than you ever could on your own.
Growing A Large Database Of Your Fans
People in the music industry are always looking to see that you have a great work ethic and tons of motivation to achieve success before they agree to work together. When you take the time to grow a big database of your fans it shows you have both of these qualities because you have 1) worked hard to convince people to follow what you are doing and look forward to your projects 2) worked hard on your own to grow your career. When you have a very large database you add tons of value and minimize the risk it takes to work with you in the eyes of others.
Develop The Mindset Of A Successful Musician
You are much more likely to create risk for other people when you don’t think in the same way as successful musicians. When you develop the correct mindset, you avoid doing things that harm your music career like self-sabotaging or passing up on opportunities that would add to your personal value and grow your career. Working together with a mentor helps you understand the correct mindset that is needed so you can make yourself extremely valuable to others in the industry (and understand how to get the most from this value).
When you offer tons of value to others in the music industry, you put yourself ahead of anyone else competing for the same goals you have. Find out more on why overcoming the competition is simple by reading this music industry success advice.
Tom Hess is a recording artist, composer and a touring musician. Tom is also a professional music career mentor and coach to many musicians from all different countries around the world. In his music business training program, he has helped musicians make a lot of money with music and fulfill their dreams of being able to work in the music business.
Planning an event that everyone will enjoy is challenging, but extremely satisfying if successful. One of the key steps in ensuring the success of your event is choosing and creating a venue that will leave your guests awed. This article will outline how to create this kind of venue in five easy steps.
The location of the venue should be convenient for the targeted attendees; otherwise, the turnout might be poor. Additionally, attendees should be able to access the venue easily through different modes of transport. It should also be a place that is attractive so that people may be comfortable to attend.
Select a venue that is large enough to accommodate the kind of event that you intend to host. For an event that you’d want to be intimate, a small cozy venue is most suitable; whereas for a concert or product launch, a larger venue would be appropriate. When creating an event venue, it is important to ensure that there is enough parking space for the attendees’ cars.
Creating a venue that will impress your guests involves selecting the right décor and furniture. When creating an attractive ambiance for your guests, you should first consider the type of event(s) that you intend to host. For instance, if it’s an event for children, the décor should be bright, colorful and child-friendly. For a corporate dinner, the décor should match the organization’s corporate colors. Some companies, like Plastics For Industry Pty Ltd, know that the stage will be the focus for most of the event. Therefore, it is important to create a stage and backdrop that reflect the mood you want to create for the event. This does not necessarily need to be expensive, there are several companies that do it.
Have you ever been to a function where the echoes were so loud that you could barely hear what the speaker was saying? Or where the microphones kept screeching? When creating a venue, it is crucial to consider how sound travels through the venue and getting the right equipment. This is fundamental to the success of your event.
When preparing for an event, there are several aspects to consider—but one of the most impactful choices you’ll make is designing a suitable venue. As you can see, a lot goes into creating a venue that will thrill your guests. If the guests are happy, that is the greatest reward for all your effort.
So, you have a guitar, a voice, and some friends that want to make music. Well, in order to succeed in this difficult industry you’re going to need some help. Many bands try and fail hard because they don’t remember these important factors that will help you reach your dreams of rocking the big stage.
You are going to need a place to practice. Chances are, and hopefully, one band member will have a garage style space to practice in. Garages, although cliché, are a great space to practice because you can be louder than if you were rehearsing in a house. A great idea is to hang up packing blankets around the room to help muffle the sound so you don’t scare off your future fans. If you don’t have a garage then a storage unit from a company like Wheaton World Wide Moving is a great alternative. These spaces are generally inexpensive and you can leave your gear set up and lock it up safe after each rehearsal. Just make sure to check with the company whether it’s okay before you claim it as your new rehearsal spot.
You are going to need gear and it’s going to cost you. An instrument is an investment and if you invest a lot of money, chances are you won’t want it to just sit in the corner and collect dust. Don’t be afraid to spend money on your gear if you’re serious, even for the “cheap” stuff. If you’re just starting out, find a guitar at a garage sale, but when you get serious, don’t be afraid to pull out the big bills.
Practice as much as you can. We all have busy schedules but to put on a really good show, you have to practice! Know everything forwards, backwards, and upside down. Don’t just know your licks and lyrics, know them so well that you think you created them. If you are performing originals, practice even more. This is your product and you want to present it in the best form possible to your audience. If you only go half way, the audience will be able to tell and they won’t want to see you again.
Remember that you were friends first before you were rock stars. Have open communication within the band. Talk about your goals and how you want to achieve them. If you are transparent with your band and they are transparent with you, then you will have a much lower chance of something little becoming something big and ultimately breaking up the band. If you’re unhappy about something, talk about it and come to the table with a solution. Bands fight, and often it about something that is so easily prevented. Remember, you were friends first!
If people don’t know about you they can’t come see you. Start a Facebook page, Twitter, Instagram, and Snapchat and constantly keep them updated. Post all the time, even when you’re just hanging out! Fans love to see that side of the band and they will follow you! Play any show you can regardless of how much you get paid. Play coffee shops, bars, open mic nights, and whatever you can get your hands on, and don’t be ashamed to play for free. The more experience and the more exposure the better.
With these helpful hints, your band will surely do much better than you could have ever thought. The most important thing to remember is to have fun. Being part of a band is something special and if you forget why you started it or lose sight of what’s really important, you won’t last. Dave Grohl said, “Musicians should go to a garage sale and buy an old drum set and get in their garage and just suck. And then they’ll start playing and they’ll have the best time they’ve ever had in their lives and then all of a sudden they’ll become Nirvana.” Go out, make some noise, but remember to have the best time in your lives!
There are more musicians than there have ever been before, and they all have a platform online to put their music out there for the world to hear. It isn’t enough to just put music up online and expect people to pay attention, and as the world of marketing changes people are looking for ways to stand out. Some of the classic, tried and tested marketing methods are still doing the business for bands and artists, but there are also some new ways people are trying in order to get more eyeballs to their project.
At Gigs
Gigs are a way for bands and artists to get the word out there, and are many ways to utilise performances to get your name out there.
Giveaways - I’m not talking about just giving away a free MP3, most people won’t pay attention. If you want to stand out, give away something interesting such as merchandise, a physical release such as a CD or even something as simple as a branded t shirt or cup (preferably with a drink). These things will serve to get your name out there.
Online
Social Media - Social Media is a wonderful tool for musicians, but lets be honest, there is so much being put out on Twitter, Facebook and more social medias aimed at musicians and music fans. Artists such as J Views have done an amazing job, he involved fans in the process of recording his music, which meant they were more invested and likely to buy the album when it was released.
Apps - Some bands and artists have used apps either to enhance the audio visual experience, or just to keep their fans more involved. Providing an app can give you a platform to build a community around your music and give away exclusive content to help your tribe of fans grow.
Video - It’s a classic, but using video in a creative way is vital for marketing music. Whether you take the OK Go approach of amazing, eye-catching videos or you look to create content like tour diaries or studio ‘making of’ videos, video is a great way to reach millions of eyeballs constantly on YouTube.
Physical Items
The Physical value of music has not been forgotten. Vinyl sales are still growing and people have found ways to enhance this side of their music. Releasing lyric books, artwork and even gift packs with music can be a great way to make money as well as ensure there are more platforms for people to find your music. There are a lot of people who go crate digging and look for new music in physical stores, and having something that stands out can be a good way to at least stay in peoples memories.
Quality afterschool programs, particularly music programs, are on the rise. Parents and teachers who traditionally thought that academics was the most essential part of a school program now appreciate that learners need to develop emotionally and socially, just in the same way they grow academically. Different credible studies have shown that when school-going kids take part in singing or dancing after school, their chances of landing in trouble are significantly reduced. On top of that, the kids can develop positive attitudes towards academics, and as a consequence of it, their school performance relatively goes up.
The Harmony Project is a good example of what after-school music programs can positively impact on the lives of kids and youths. The organization has been operating in Los Angeles County for over a decade, and has seen kids from its many after-school music sessions become responsible adults. Harmony Project kids are provided with classically-trained music instructors who train them how to use instruments such as violins, flutes, and clarinets. Training takes place nearly on a daily basis, with different genres of music taught, including orchestral and jazz music.
One evident thing is that when a teen in the Harmony Project hits the age of 18, they go out to compete with the best the society has to offer – right across industries. Records of data that support this organization show that 97 percent of kids who participate in the after-school music program for at least three years never engage in crimes and move on to pursue prestigious careers in the university.
When it comes to problems involving criminal justice, consider talking to a professional who holds a master’s degrees in public administration about this. They are better-positioned to analyze and give long-lasting solutions to them. As part of coming up with those solutions, the professionals advocate for quality education for all children regardless of their poverty levels. This can further be narrowed down to co-curricular activities for youths, after-school music programs being one of them. With such programs, cases of HIV/AIDS among teenagers, teenage parents, and cases of drug and substance abuse are minimized. Public administrators in the United States are in the front line in ensuring that after-school programs are established as they strive to solve the many upcoming challenges in the general public agenda.
In most cases, after-school music programs bring kids together and have them play music in groups. The exercise is fun, engaging, and most importantly, a confidence boost. Surveys show that kids who take part in after-school music sessions for at least a couple of hours in a day end up becoming good team players in their adult life. This means that the programs do not only help kids to stay out of trouble in their youthful days but also later in their lives.
After-school music programs keep kids out of trouble, builds confidence, and nurtures teamwork in kids. NGOs and governmental organizations have a duty to play in ensuring that as many kids as possible take part in such programs in order to incubate responsible future citizens.